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The Fort Nelson Aboriginal Project © copyright 1998 School District 81
Culture and the Environment - Porcupine |
Traditionally, quillwork was created on birch bark and moosehide. Before attaching the porcupine quills you must create and mark a design on the material. The quills are sharp and pointed at one end. Liz Burke can remember watching her mother working with the quills. As a cautionary tale, Lizs mother told Liz and the other children not to touch the sharp quills. If they accidentally poked themselves with them they could pierce their heart. Believing this, no one played with the quills. An overhand stitch is used to attach the quill to material. You must go through both sides of the quill and then down through the material. This is repeated along the whole length of the quill, every 3 or 4 mm. While stitching, the quill is pressed flat against the material. Beading thread is most often used today but Liz remembers her mother using sinew. [Sinew is made from the muscle along the back of the moose.]

Drawing by B. Wysosky from The Fort Nelson Story by permission of Gerri Young

Baskets and quillwork done by Mrs. Adeline Dickie